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Showing posts with label Dardis. Show all posts
Showing posts with label Dardis. Show all posts

Sunday, 19 February 2023

Inner Demons #19

Inner Demons #19

https://innerdemonsrecords.bandcamp.com/

Dardis – A Chain Reaction of Various Cracks – 2x3”CDRR/Download – 2022 – [IND132D]

https://dardis.bandcamp.com/

http://www.colindardispoet.co.uk/sounds.html

1.       Ankle Grinder.

2.       Ankle Grinder (Redux).

3.       A Crack in the Redux.

4.       A Persistent Echo Heard Through the Rain.

Image from Inner Demons Records Bandcamp.

My last Inner Demons review was Colin Dardis’ Funerealism release on Inner Demons so his work is no stranger to this blog and I liked his work. He also writes and releases books of his own poetry along with his own music. He is based in Northern Ireland, his work is influenced by his own experiences with Asperger Syndrome and Depression. He has performed at events, been shortlisted for prizes and ran workshops with his work.  This album was created during the first lockdown but couldn’t be completed until afterwards.

Ankle Grinder starts with drones, they feel like lighthouse beams shining through fog on the edge of land surrounded by a big ocean, I like the atmospherics at work here. Lately on the blog, I have talked about artists using noise in a quieter setting, although this leans into ambient territory heavy, the subtle use of noise is good, it keeps my interest. The redux version of Ankle Grinder uses deeper, sorrowful drones to build its sound. I like the immersive quality that the work gives off. A Crack in the Redux is the most sinister of the three tracks on the third disc as it uses echo on sounds that spread across the track like ripples in a puddle. I feel a quality akin to Scott Walkers songs on Nite Flights present in this work, the strings whether they be actual or sampled have that affect. It occupies an ambient territory that resonates beauty and a sense of drama subtly played out.

The final track occupies an entire disc, A Persistent Echo Heard Through the Rain. This starts with the bleakness of the Ankle Grinder tracks. I have to add while the pre-Spring sun shines on me through my blinds, this work is an amazing soundtrack. This work is busier than the other track, subtle busy, but still busier. The shifts across the work from sound through to sound demonstrate this. A persistent Echo uses deeper sounds that feel as if they were sourced from human voices, it feels immersive as if the listener is floating t in the work. This is very good ambient work, I like how it is themed from the above description, it relates to the enforced solitude that some had to experience during these times.

Being an artist that works across genres can be a liability with noise or ambient work. It often requires a lot more commitment as it can just be the sound side project and be a bit shit. I have seen this a lot when reviewing the multi-dimensional artist’s shit HNW project or sound art project that has no depth. Not here, the sound work of Dardis on Inner Demons has so far, proved to be excellent, I like this work a lot. This is well worthy of purchase.

Alone and one 2023.

Tuesday, 3 January 2023

Inner Demons #17

 

DARDIS – Funerealism – 2022 – 5” CDR/Download – 2022 – [IND133F].

https://innerdemonsrecords.bandcamp.com/album/funerealism-ind133f

https://dardis.bandcamp.com/

http://www.colindardispoet.co.uk/



      1.   Funerealism part 1.

      2.   Funerealism part 2.

      3.   Funerealism part 3.

      4.   Funerealism part 4.

Perversely, the process of creation – the birth, the formation, and ultimately the execution – became the driving theme behind Funerealism. As Beckett writes in Waiting for Godot, "They give birth astride of a grave." Any idea or concept of life therefore must also contain the seed for conceptualising death, for the two are simply inseparable. DARDIS 2022.


I recently received a generous package of recent releases today from Florida’s Inner Demons Records. There were the distinctive 3” Cdrs a plenty, badges, figures and to my shock, several 5” Cdrs I like this new progression of format, as they are tied into the discography perfectly using Dan Fox’s black and white cover artwork with Inner Demons typeface and logo. One of those 5” releases are by Northern Ireland based project DARDIS.

This release is conceptually loaded as seen in the quote above and heavier detail on the Bandcamp page. Sonically I am impressed by the dream like ambient sound, there are parallels to the amazing work of CTEPHIN. Funerealism has a deep, immersive sound that the listener can drift in and out of it at will. The drones and rumbles feel locked within a constant loop of movement, like how HNW work operates with subtle changes of sound that are incorporated into the work. There are keyboard melodies tied into Funerealism that give a haunted and slightly holy quality when listening. The tension that exists within the sound of the work feels like an important floating journey towards our end – an attempt to represent the journey towards death? How death is represented is a personal concept, which makes it difficult to judge the success of the work in that respect. This sounds great and fits into the label’s catalogue perfectly as a single well thought out jewel of a release.

Choppy Noodles 2023.