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Showing posts with label Haare. Show all posts
Showing posts with label Haare. Show all posts

Monday, 25 January 2021

Haare – New Age of Death

Haare – New Age of Death – Aussaat – Aussaat 15 – CD – 2020.

https://www.facebook.com/Aussaatundernte/

http://haarenoise.blogspot.com/

      1.    Thunderbolt Gate Invocation.

      2.    Phowa.

      3.    New Age of Death.

      4.    Maitreya.


I have been extremely impressed by the work of Haare, particularly their Brain CD also released on Aussaat in 2020. Haare has a prolific discography and the project stretches far back to 1999, not 2008 as I had said in a previous review. I believe Haare to be amongst the absolute best in the history of guitar noise and Ilkka Vekka to be one of today’s leading lights in that field.

The Psychedelia of the sound resonated as Thunderbolt Gate Invocation begins as a dark dreamscape. The sound is slow and rolling, it falls to near silence at times. But in the quieter area’s sound quirks become apparent, I had it in my head that this would-be big guitar noise with shattering psychedelics, yet it demonstrates impressive, intricate details that play off each other – these form atmospheres that make a track.

Phowa is more foreboding, it starts of quietly as small details build up and the sound eventually radiates and pulsates. Phowa seems to psychically lift after it levels out; the sound seems to take the mind on a trip. The balance on the track is impressive, elements really work together well as if the sound is one complete unit, there is less play off here. Feedback is distorted with harmonics and they lead the track to its end.

The longest track on the album is the title track New Age of Death this combines playful tinkering and deep, dark atmospherics. As a listener I felt trapped inside it as if I were stuck in a nightmare and couldn’t wake up. I like that the sound has such an effect beyond being just a display of sound which the work is strong enough to get away with due to the detailed textures that it displays, but here and with much of the rest of the album it transcends, literally.

The sense of tropical hallucination that runs through parts of the album shows on Maitreya. Silence and interruptions of its state occur as the beginning as things pull back to low sound with a small palette of sounds interacting. There are distinct shifts in sound to Maitreya, as if there are several separate passages within the track. I like the quirks and atmospheres that the track presents throughout these shifts.

New Age of Death is excellent, Haare is a top tier project without a doubt.

Army of One 2021.

Thursday, 20 February 2020

Haare - Brain.


Haare – Brain – CD – Aussaat – Aussaat 11 – 2020.



Destroy fascism, love forever.

Since forming in 2009, Haare has released many recordings on a variety of labels including Matching Head, Freak Animal and Heavy Meditation. It is the project of IIkka Vekka. I saw Haare live at the last United Forces ofIndustrial festival in London a few years ago, the performance was confrontational and intense; I liked it a lot. Described as going ‘headfirst into the primordial psyche, the mind below the mind’, Brain is released on Aussaat this week.

This album is very different to what I heard when I saw Haare live years ago. I know Vekka utilises a guitar a lot in his live performances, in contrast this feels a lot wider than that in sound. Perhaps it is all sourced from guitar, it is hard to tell as the sonic language is wide. I feel it is very layered and shifting in its sound as it moves along, yet all the works tie in together well. Things can go quiet, were there are small interactions of sounds that build space into the work. Pulsating, psychedelic landscapes are slowly formed within this space. The use of psychedelic sounds encourages you to go into the music or let it go deep within your psyche. As the sound is woven of different noises, it intensifies and builds and huge resonating soundscapes are formed. Brain is very effective and well delivered.

I’ve played this album a few times since receiving it today, I really rate it and encourage you to buy a copy from either of the links above. Brain has served as an excellent intro to the recorded work of Haare. One of 2020’s best releases so far.

Nevis Kretini 2020.

Sunday, 5 November 2017

United Forces of Industrial IV London 29.04.2017.


United Forces of Industrial IV London 29.04.2017.

UFoI setlist.

Attending the Saturday of United Forces at Electrowerkz in London was a bittersweet event. The impressive footage  of the previous night makes me very aware I only saw one great night of two. EDGE OF DECAY, ARMOUR GROUP, SHIFT/KOUFAR, KEVLAR and KE/HIL were all said to be on impressive form. 

Military Position is the project of Australian based artist Kate Harriet Morgan. PVC clad and pissed off Morgan gave an angry set that combined harsh, repetitive electronics and rabid vocals. Knives and chains were rubbed against contact mics until they gave out. Military Position’s set intensified to a climatic end with Morgan swinging way too closely at the audience with her chain. The institution themed background film’s female narrative wasn’t present, it was replaced by Military Position’s fucked off, threatening barrage. Morgan was confident, strong and in-control. Her set was impressive through its’ sheer dominance and aggression.



She Spread Sorrow is Italian based Alice Kundalini, formerly of Deviated Sister TV, has released one album ‘Rumspringa’ on Cold Spring and is soon to release ‘Mine’ on the same label. Her whispered vocals and low level Deathscapes worked in perfect conjunction with her background videos. They featured a young girl moving and posing in a kind of abstract narrative that was contextualised further by Kundalini’s whispers and chimes as electronics rumbled and echoed in the low levels. She Spread Sorrow delivered a fractured nightmare of a performance, clearly a leader and not a follower. 



Haare is the project of Ilkka Vekka from Finland. For this live appearance Haare was a duo, with another guy on laptop and electronics while Vekka played guitar. The guitar work was digital and affected, it wasn’t all riffs and solos, more in line with how Sutcliffe Jügend use electric guitar. The set was abstract, psychedelic, occult laden topped with complex visuals. I had a 'whatever' attitude to Vekka's crowd glaring, but the confrontational, menacing factor added another dimension to their layered performance. The sound was slow and expansive with a lot of intricacies gradually woven in as it constantly shifted and developed. 



Isomer from Australia was one of the most surprising acts, in contrast to the online tracks I have heard, David Tonkin’s performance had a compressed, hidden emotive, layered quality. Tonkin was an impressive frontman, but that indescribable something woven deep into the sound was there.  It wasn’t anger or aggression, but something other; a deep and heavy context which you could close your eyes and absorb as the core of the performance. Sharp, repetitive frequencies and contact mic abuse built things up. Isomer is well worthy of further investigation; another epic performance to the night.
 Isomer photo by
Marcin Klimek.

Following such a solid batch of impressive younger acts, headliners Genocide Organ had a lot to live up to. Past glories of the last 30 years wouldn’t be enough after what came earlier in the night, tonight was the acid test. I was immediately thrown as G.O. didn’t wear masks as I thought they would. The four members combined electronic noise that immediately ripped into an impressive set that was a barrage of their trademark abrupt, urgent style of Power Electronics. Both lead singers took turns to whip the audience into an intense frenzy, Wilhelm Herich on the edge of the stage shouting into the audience which stirred things up and slight chaos began to erupt. I don’t know what happened, the audience became further frenzied into a pit as Genocide Organ dug well into their back catalogue right from Leichenlinie up to Obituary of the Amerikas. I was impressed by their direct audience manipulation/confrontation. Genocide Organ’s complex, multi-faceted collective sense of self intensified the night’s proceedings relentlessly through layered visuals that consistently intensified the atmosphere. This brought United Forces of Industrial 2017 to an impressive and frenzied finale. 



Choppy Noodles 2017

all photos by me, Isomer one used by kind permission of Marcin Klimek.

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