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Showing posts with label Aaarrrgh Records. Show all posts
Showing posts with label Aaarrrgh Records. Show all posts

Saturday, 5 June 2021

Wolvestribe Interview.

 


Wolvestribe are a UK Power Electronics duo that have been actively releasing since 2018, they are London based consisting of KSHAYAATH and HTV. They have released on The Harsh Noise London label and produced Lathe Cut vinyls and CDs on their own AAARRRG! I have reviewed several releases on here and feel Wolvestribe is a leading light amongst an impressive cluster of new artists exploring Power Electronics in the UK. I was fortunate enough to interview the duo by email in 2021.

NK - Introduce yourselves, what were your backgrounds in noise, I know one of you does ANIMAL MACHINE and other projects, what led you both to combine as WOLVESTRIBE.

KSHAYAATH: Electronics/Mantras & Harry HTV Westwood: Electronics

KSHAYAATH: I like to keep my projects apart from each other, I like people to feel the music and visualize the idea.  Every project has its own mood. I only keep constructing on the way...new names appearing. Too many bastardized foetuses on the road.

I've been doing industrial music since 1997, I always had the idea of a band with industrial elements (industrial metal) too many tries and fails, difficult in finding the right people with AATMAA... So, I decided to go alone as solo a project ANIMAL MACHINE, it was basically experimental music after all (unclassified) with elements of Industrial music and gabber electronics (breakcore/speed core) that fusion became later noise.

In January 2017 I met LOU (PURE LAND) while doing noise gigs at Destroy All Artifacts. We decided to combine forces and name this new project WOLVESTRIBE. There is a live set released in recycled tape by Harsh Noise London. Louis left to join a sludge metal band.

In December 2018 I was hanging out with NEO FUNG, my crazy vampire friend from Holloway Road and I met Harry at the Headsquater Paradise.

HTV is a guy with a lot of passion for the old school analog /industrial Dada and punk. He was playing some filthy drones that evening, so we decided to fix a day to record some music.

There is a lot of chemistry between us, perhaps our brains have different directions but when we clash it's like being in the battlefield. Power electronics is more fun as a duo.

HTV: Hi and thanks for your interest in such a disposable and ephemeral phenomenon as WOLVESTRIBE.

We met as was described above: in my location, during the photo session. soon after we noticed that we just have similar ongoing interest in all sorts of subversive sounds. We are improvised formation, which allows loads of freedom. We are also very triggered by raw noise, which is not generated by PC, all sort of stark archaic machines are used in our sessions.

Your answer 'perhaps our brains have different directions but when we clash it's like being in the battlefield' is revealing as I find the sound of Wolvestribe to be combative, so this translates into the music fluidly? Do you ever discuss what you are both going to do, or does it happen?

KSHAYAATH: Not much to discuss, we try to compose a set, but it always ends on free fall.

Wolvestribe live. 

Tell me more about the themes of Wolvestribe, what are the motivations?

KSHAYAATH: WOLVESTRIBE is into ritualism, geo-politics & survivalism "Understanding the Ecological Role.”

We are aware of the mental conditioning. We keep coming back and forward to the old rituals, the old plagues, the crescent wars...  We sink and breath these paradigms of a thousand years and repeat it again and again.

Our motivation works like a mirror, the mind versus the environment, like painting thru necromancy envisioning our future... the decaying civilization.

HTV - Pretty much everything we are shaped by listed above bands and general culture from where we derive our inspirations. Films above books and music we listen to are the source of our inspiration. While WOLVESTRIBE is more visceral where vocal is more an instrument, driven thru raw noise, remaining honest and devoted to noise.

Therefore. we are out of sync, a raw chaotic outburst of unpredictability and if you listen to our “The Early Years “, you can sense that exactly.

How do you feel about the Earth, are you personally eco-friendly, what is your outlook in relation to how we treat the Earth? I ask as I am big on this in terms of recycling, reusing, using biodegradable, non-animal tested products, locally sourced as much as possible and veganism.

KSHAYAATH: I would say eco-aware...eco-friendly is the hypocrite way to brand yourself again. In fact, most of the people are not deeply preoccupated about the planet, people are concerned about their future in this planet. Mother nature can survive without us.

Respect is everything, we need to respect ourselves to start respecting each other’s and the planet. Recycling, reusing, using biodegradable, non-animal tested products, veganism is a form of respecting nature. I'm aware of my mistakes ...there are not saints these days... sometimes we have to go the way we don't want for the sake of survival.

You're from London, how does the massive, busy environment of the city affect your work? The reissue of your first recording on Harsh Noise London had a Tower Block on the cover, in my eyes this resonated Wolvestribe?

Kshayaath: London is one of the world's most amazing cities. This city has its own spirit, a living organism erected from alchemy, modern days of multi-cultural expansion and the bloody past. So, it gives us a best way for understanding the world we are living in.

Tower Block on the cover was idea of Mike Onabanjo Harsh Noise London president. He started that crazy series with glitch photography He collected from the city.

HTV: Yes, obviously this has got lots of to do from many sides.


Wolvestribe - Understanding the Ecological Role - Lathe Cut Vinyl - AAARRRG! 2019.

How many times have you played live as Wolvestribe? What has the live response to the project been like?

KSHAYAATH:: Sadly, we didn't have the opportunity to play much but people seem to like the music. We are happy we can express that way; we are not meant to be popular. It's mostly around friends... we also do not relate much to power electronics or noise scene, even if there is a furtive past.

There is too much politics and still too many taboos for free-doom, we prefer to walk dead, it sounds pretty autistic, but We feel it's the way to survive. But far off our introverted visions, we are always happy to meet new people and projects and build something together.

Yet difficult... we get fun making music, it's our hobby not a job.

HTV - Like you can sense it from this what is written, bent on very stark, archaic my fav world is amphibious sound which is a sheer outburst of unpredictability. Dada, punk art etc.

We are constantly evolving I guess our noise sounds dynamic as it is not killed by high tech innovations also that dissatisfaction derived after listening to many great acts which were previously devoted to noise and now playing music it is a big contribution to our desire as well as dissatisfaction from over performed rock music which is no more punk.



Tell me more about your phrase free-doom.

KSHAYAATH - free-doom as free fall, like start or end point. Now you can see it more easily, it's amplified around the world. As We come, we go.

You talked about sounding pretty autistic in regard to how close you keep and control Wolvestribe. Yet as a reviewer, you are part of a new now with PE a wider picture that people should be paying attention to and checking out. If people want to talk PE, like Unrest is, I am a huge advocate for now and point people your way.

Do any names of present-day PE stand out to you, do you feel you have any affinity out there with other projects or is it that centralised?

KSHAYAATH: I'm more into Old school 90's, Class 2000 Industrial stuff not necessarily Power Electronics. Some names like Brighter Death Now, Institut, Mental Destruction, Folkstorm, Karjalan Sissit, Shift ... In the U.K. I've had to dig S.T.A.B. Electronics, Messiah Complex.

Perhaps there is affinity, these projects are living their own movie.

HTV: At least from my side I want to be a laboratory and very amphibious in selections of sound. First recordings of THROBBING GRISTLE and WHITEHOUSE are big influence for me .so do CRASS and CONSUMER ELECTRONICS.

Your most recent release 'The Mind Responds to Its Environment Much Like a Body Turning Away' seems sharpened compared to the earlier material as if aiming to be more torturous and punishing, tell me more about this release and your intentions behind it.?

Kshayaath: There are not intentions, we just let it to the flow ...everything is instinctive, all recording have something special for us. We are focused on unique pieces. Most likely live improvisation and some studio releases. 'The Mind Responds to Its Environment Much Like a Body Turning Away' has a ritualistic display. It sounds more into noise; we got some nice takes from it.

Harry likes to use different machines and pedals for each recording and in this one he was a bit pissed off.

HTV: I don't know how it sounds, so far, we are meeting/jamming/recording after KSHAYAATH is doing the rest.

I'm often positively surprised by the outcome. I just do noise; I don't have much control on whole aesthetic neither. Desiring it totally.

Your recent work also seems to use noise to effectively create 'other' atmospheres as if you are channelling the environment or the earth through your work? When the noise isn't roaring or blasting what are your intentions? I ask this as you have slowly evolved as being able to use quieter noise to strong effect.

Kshayaath: The planet is a living organism, and we are just part of it... sure our mind, body and soul is being soaked in a vagina. The spirit of Earth. We are some kind of fucking microbes... viruses killing and loving each other in a cycle of death and rebirth...

I would say after the storm comes tranquillity or vice versa... It's what we have on the plate, days and nights...So there is evidence of that in our music. Music doesn't need to be necessarily noise or going extremely loud to fulfil a cause. Music is just another way of communication. The energy (vibration) is around us, so we are only casualties. We joint waves and leave the sea to tell the story.

HTV: I would like WOLVESTRIBE to be more cohesive formation in terms of message and aesthetic we convey. We will use noise as weapon more effectively in the future but like you can sense it from this what was said we just Jam and recently we do this very rarely, sadly.

https://www.facebook.com/Wolvestribe/ 

https://aaarrrg.bandcamp.com/ 


Saturday, 3 April 2021

Animal Machine – Technological Murder

 

Animal Machine – Technological Murder – Aaarrrgh – 2019 – Download/3”CDr/10” Lathe Cut Vinyl

https://www.discogs.com/Animal-Machine-Technological-Murder/release/13660223

https://aaarrrg.bandcamp.com/album/animal-machine-technological-murder

          1.    0603

          2.    0252



Animal Machine is the oldest project from the Aaarrrgh label’s stable of acts, it stretches back to 2007. There have been many releases since then, this is the most prolific project of Aaarrgh.

The 3” CDr is for promotional use as it came with a Kshayaath album I received from the label.

Both tracks are named after their running times, I like the delivery, it is sharp, energetic with a lot of wild hiss and very cut up in parts. This is very much top tier Harsh Noise that also seems centred around the Harsh Noise London label, this, Wolvestribe and Gen26 are key examples of this kind of work.

The theme of this release is how our future evolvement seems linked to intelligent machines. As I drive around, on a day-to-day basis, I am aware of drivers and pedestrians glued to their phones, this concept seems true as Smartphone zombies seem to gain higher numbers and visibility. As the label and projects are mostly based in London, this reality must be even further realised than here in the Midlands of England.

Another gem from Animal Machine, excellent work.

Army of one 2021.

Tuesday, 23 March 2021

Kshayaath - Den Rette Undergang

 

Kshayaath - Den Rette Undergang -cd/Download - 2020 – Aaarrrgh!

https://aaarrrg.bandcamp.com/album/kshayaath-den-rette-undergang


This album hit me like a good blow to the stomach does. I put it on last week to get an idea of what I would be reviewing and like a new girlfriend, it quickly became a big part of my life. As you know I am a huge advocate of Wolvestribe, this project is related to that with one of the members being the sole member.

This London based crew remains a mystery, not really stretching out to other labels other than Harsh Noise London and their own Aaarrgh imprint producing cds and 10” Lathe Cut vinyl of their own. They play small gigs with some likeminded contemporaries in the capital and don’t seem to want to network out.  Aaarrrgh seems centred around Wolvestribe, Animal Machine and Kshayaath. If I were to talk about UK Power Electronics now, all of these projects would very easily be amongst our leading lights.

I have been unable to unwrap myself from the tentacles of this disc. Parts of it are explosions of crunch and static with Shamanic shouting inside. In other parts it uses rhythmic clanging or drops in sound for dramatic effect. I continue to be impressed by this album because it turns simple sounds into effective, direct assaults on the listener/myself. The rawness of the sound is so stripped down it becomes alluring it has held me captive over the last week. I’d been in discussion about the raw appeal of a lot of the best Power Electronics, this has all that in abundance. The artwork is as nasty as the sound...

I could say more about this album, but kshayaath and related projects are so important right now, you need to hear them, go forth and check them out.  Easily one of the best albums I have received this year.

Army of One alone in 2021.

Tuesday, 22 September 2020

Wolvestribe - The Apocalypse Factory.

Wolvestribe – The Apocalypse Factory – Digital Download – Arrgggh – 2020.

https://aaarrrg.bandcamp.com/album/wolvestribe-the-apocalypse-factory

       1.    The Apocalypse Factory.

“Denial is the most predictable of responses.”

The Matrix.



This is a new one-off track, recorded yesterday by UK heavyweights Wolvestribe which I am playing this on headphones, and it has made me all delirious again. The blast of distortion that serves as a battering ram for the forthcoming onslaught of sounds is immense, Apocalypse Factory is huge in sound. What follows are cutting sharp noises that overlay this, it becomes a riot in quick time. Some of these are deceptive and may be vocal noises as they slice through the sound. It is not a wall as the other sounds are the lead, they have the prominence,

The build-up in this work is big as the vocals become more apparent. There is serious control and some impressive shifts in the sound, the assault is good. The vocals are literally bolstered by the sound, the two work in complete unison at one point. This leads to the vocal breaking away to become more warped and assaultive into a pained abstraction.

In today's climate, this work is the now.

This came to me today, I reviewed it today, sometimes the rewards of doing this are immense, this work is my reward.

Euphoric Bullshit Vibe of the Sonic Deathwish Posse 2020.

Wednesday, 4 December 2019

Animal Machine - Disposable Masochrist Doll.

Animal Machine – Disposable Masochrist Doll. – Single sided cassette/12”vinyl – 2011 – Aargh Records/Invaginity.






Animal Machine is one of Ernesto Bohorquez’s projects, linking it to Wolvestribe and Aargh records. Disposable Masochrist Doll was originally released on single sided 12” vinyl and cassette back in 2011 and it was recorded live in 2009.

My fucking tape didn’t work, so I went to the Bandcamp to review it. It is said to be from Poland on Discogs, poor Half Polish me was very tearful about this. But then that’s the risk and excitement of recycled cassettes. My cassettes original form was Lovers- Sound Sensation from Chevron Records in 1981, it’s 28 years old, exciting stuff.

As with Wolvestribe this is an immediate heavyweight sound. It is a fast-moving work, not dissimilar to a HNW piece, it has a very sharp, cutting, loaded sound.  There is rapid speed to the work, yet the changes in the overall sound are gradual over the 15 minutes of the release. The glitches in sound seem to separate the work into several passages. This is hard hitting noise from another decade that has a more abstract feel to it compared to Wolvestribe, yet this cements my interest in Animal Machine, Wolvestribe and Aargh as one of the leading lights of PE and noise in present day UK.

This is a lively, impressive release. Animal Machine is still releasing prolifically to this day check their sites for more sounds and a chance of catching those elusive Lathe Cut vinyl’s.
I ordered the vinyl of this off Discogs, supporting the scene and all.

Nevis Kretini 2019.

Sunday, 9 June 2019

Wolvestribe, Understanding the Ecological Role.


Wolvestribe – Understanding the Ecological Role – Single Sided Lathe Cut 10” – MP3 – Aaarrrgh Records – 2019 - https://aaarrrg.bandcamp.com/

  I Opened Your Eyes.
 Now I Have to Close them.

"Death des sometimes seem like a solution that dissolves emptiness. But noise always lures us back into it. And mumbles of rebellion seem to slip into cramps of fear. .."



I discovered Wolvestribe in the last review, it was amongst a batch of 6 tapes from the Harsh Noise London Label and Wolvestribe’s contribution to Harsh Noise London Recycled Tape ‘Series #15: Clove’ was just a 21 minute live performance, which was stunning and one of the highlights of the whole batch - there was some excellent other stuff in there. The purpose of this review is to examine Wolvestribe beyond that contribution as I’m very interested. There has been a digital album released on Fucktron Records – Mortification: Mind/Body/Spirit. I will just review Understanding the Ecological Role as a 10” at this early stage in the project demonstrates impressive commitment. The members are two identities – Kshayaath and HTV, two people or two personalities, who knows? 

I Opened Your Eyes: This track really seems to go for a trebly assault, with sharp, jittering frequencies, this is a very abrasive track that radiates and pulsates. The sharp assault is impressive, the relentless repetition and consistency in the amount of noises used is good, it doesn’t suffer from death by overload, which can kill off a lot of noise that does this, it no longer becomes effective. There are vocals warped into the mix well, they are woven in tightly. Now I Have to Close Them; both titles blend in together to form one sentence. This track really pulsates into action as a cut up, distorted vocal goes off whilst sharper frequencies cut in and form a mesh of noises. The chopped vocal makes it another abstract noise so it becomes a part of the track, rather than leading it, which I like.

This whole record is very raw, roots Power Electronics, the noise angle is really emphasised in the sound and flits between layered and stripped down during the record. I feel it is way more leaning into Noise and Power Electronics with a hint of Death Industrial, both tracks are strong. This is a solid, outstanding release and I am very glad my adventures led me to Wolvestribe.

Choppy Noodles 2019.