Ordeal by Roses – Red Death – Black Ring Rituals – Cassette/Download – 2021
https://blackringrituals.com/album/red-death
https://ordxxlbxrxsxs.bandcamp.com/
1. Blood Was Its Avatar, And Its Seal.
2. Grave Cerements and Corpse-Like Mask.
3. And The Flames of the Tripods Expired.
4. And Darkness, And Decay, And the Red
Death Held Illimitable Dominion Over All.
5. God’s Whip with Which to Punish the
Nations
Red
Death is the fourth release by Welsh Power Electronics project Ordeal by Roses.
As you all know, I have followed this project closely and have been impressed
by all three previous releases. I type this without having heard the release
yet, even the titles have weight and depth to them – I hope the work has the
same impact.
When
I play the first track, the suspense is killing me, the importance the project
has to me is why I can’t hide that fact in this review. The sounds go off until
depraved vocals echo through the noise, this is illegible screaming that forms
a black hole of sound. The increased agitation of the metal abuse manipulates
the track’s ambience and build up intensity. Slow piercing feedback whistles at
the start of Grave Cerements, this plays with the space of the sound
whilst antagonising the listener as it shifts and winds through itself. The
vocal that fights with this noise emerges, guttural and full of echo - it is a
different approach to previous vocals demonstrated by the project, if anything
this is a purer type of Power Electronics vocal, inhuman and horrid. So far, I feel
a step up, the antagonistic hellishness demonstrates a new approach: as the tones
wail, emotion can be felt. I that feel at times, the sounds are doing the
talking, not the voice.
Bingo,
track three onward shifts into the higher gears as all (And the Flames of
Tripods Expired) explodes and the sound is humming and distortion colliding in
a wall like manner to make a guttural blast – it talks lots. Resonating,
expansive synths throw melancholy everywhere as a vocal rant goes off on And
Darkness, And Decay.. those synths dominate bigtime. The rant continues
behind a massive blast of Industrial noise for the final track God’s Whip…
, here the vocal is enraged and desperate. The sound is huge and the vocal
clear in its diatribe until noise takes over and really cuts into the track to
allow for the shouting to return, it clears space. This is where the project
really goes off, the rage explodes, the sound dies and we are left with the lone
whistle of feedback.
The
range of sounds the project uses has shifted in many new directions, whilst the
intensity never lets up. Just hearing this new album has made me happy and
secure in the knowledge that to me, Ordeal by Roses is now a key voice in
contemporary Power Electronics.
Coventry
Soul 2021.
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