Exquise
Esquisse – Dans Le Noir – Cassette/Download – Ominous Recordings – 2020.
https://ominousrecordings.bandcamp.com/
https://ominousrecordings.bandcamp.com/album/dans-le-noir
https://naughty1.bandcamp.com/music
1.
Personne
Ne Peut Nous Voir.
2.
Personne
Ne Peut Nous Entendre.
One
of my current themes is examining the noise work of some of my Facebook
contacts, I want to know more about what they do, it’s a closer look at my
online community, I have examined several already over the last two weeks. The
person behind this Paris, France based HNW project was formerly behind a
project called Naughty, I believe this is now their main project. By the time
this review goes up, I am sure that the cassettes will have sold out.
A
Thick wall of tone and distortion immediately forms Personne Ne Peut Nous Voir.
The lead tone is bass heavy, it warbles and pulsates slowly. Subtle crackling
distortion is overlaid onto this. The overall sound appears dense, but the
faltering and crackling carve shifting detail into this sound continually. The
faltering aspect of the sound is continuous but has an unevenness upon finer
detail as does the crackle, so there appears to be repetition, yet there really
isn’t. Brief accelerations drive the sound, always there, however, at different
times they are more obvious and at others just carefully pulled to the background.
The shifts within the track are so carefully done, it is hard to pick up on
them, it takes several listens and a lot of concentration. This is done by
shifts in the speed of movement, changes to the frequency of cut/faltering and alterations
to the clarity of the crackling. During the latter part of the track, a more aggressive
hum becomes prominent, this seems to thicken the density of the overall sound.
As things increasingly faulter in the sound, it is suddenly dead.
Personne
Ne Peut Nous Entendre is built on a deeper, bass heavy tone overlaid with
different frequencies of cracked sharper toned noise. This work feels as if it is being continually stripped,
pieces of it ripped off and rebuilt through the prominent low hum which is more
aggressively prominent here. This also has a more active wave faltering that
makes the levels very uneven as they continually shift. At times small repetitions
of the shifts in bass are made so the project throbs a rhythm, but this just quickly
disappears every time I begin to notice and we are left with the random shifts
and movements of the sound. The end of this work is signified by a sudden noticeable
increase in how the sound revs before it finishes.
Dans
Le Noir as an album really pulls the listener in, as your attention shifts you
are taken on a journey through the different aspects of the overall sound. The
contradictions within it are intriguing, this has a powerful sound with delicate
shifts and changes. It is also a recording that I very much enjoyed and is overall
good wall work.
Nevis
Kretini 2020.
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