Men with Mallets – Leviathan.
Sonic Entrails. CD. 2019. https://sonicentrails.bandcamp.com/
Track list.
1. The
Eyelids of the Morning.
2. The
boiling Deep.
3. 200
Miles Long.
4. You
Will Hear the Call.
5. Seven Spheres
of the Archon.
6. Break the
Head into.
7. Chaoskampf.
8. Wreathed.
Twisted into Folds.
9. The
Missing One.
10. About
Her Shadowy Sides.
11. Swallowed
at The End of Time.
My introduction to Sonic Entrails
was an odd one, John E smoke contacted the blog about his releases on the label.
After chatting, it turns out we were both going to see Tunnels of Ah in
Birmingham, so we arranged to meet up there and give me the CDs. We met up and he
gave me Leviathan and a Mannequin Factory album to review. John puts on gigs in
Dudley, makes music via different projects and runs the Sonic Entrails label. It
also turns out that I’d previously reviewed his Flesh-Eating Foundation project
in my older reviewing days many years ago. Babyland were also covered on that
album, thus I was also introduced to Babyland for which I am eternally grateful.
Meeting up was way better than the usual anonymous brown envelope through the
letterbox.
Leviathan is the first Men with
Mallets release, John Shapter and John E Smoke are behind the project. Leviathan uses singing bowls, gongs and chimes
– these are recorded acoustically and with contact mics. Sounds were then
processed to become the tracks on this album, which is the first part of a trilogy
about the mythological water beast Leviathan.
The drones are used to the
effect of Wartime air sirens as if to create an urgency to the album’s opening
track. The subtle interactions and play offs between the sounds form slow,
sonic conversations across the length of Leviathan. At times the work is
atmospheric and suspenseful as the drones really pulsate and contact mic sounds
scrape across the sounds. The depth of sound across the album is deep, the
noise factor comes through in the intense volume that some of the sounds are
pushed to, so that they distort but this still ties in well with the overall
sound as the slow pace is constantly adhered to.
As an album everything ties in
well together, it’s been mastered well, and the selection of tracks doesn’t
affect the flow of the album. There are subtle variations in the use of gongs,
chimes and singing bowls with different samples and sounds apparent on
different tracks keeping the range varied so things don’t get boring. The frequent
rises in sound levels make Leviathan challenging as it immerses itself in some
very deep atmospheres. This is a strong album and one of my highlights of 2019.
Nevis Kretini 2019.
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