Album: Wolfpack23 Vol 1
Artist: Various
Label: Wolfpack23
Catalogue no: N/A
Tracklist:
1. Skulldrum
vs. Captain Ergot – MK Ultra
2. WHɅLT THISᴎEY – Magnethism
3. Bukabog
– Maximum Swing
4. Third
Door from the Left – Transatlantic Flight
5. Central
Invisible Focus – Tanz Ex-tension
6. Amalgamated
Wonders of the World – Incredible Cellular String
7. Bjørn
Hatterud – Für Gen
8. Amalgamated
Wonders of the World – All the World is Death
9. German
Autumn – Leningrad
10. SHOGGOTH
AMENTA – No Self
11. Wall
Stretcher – Music*Light*Life
12. AUTOBONECO
– New Mixx 4 Genesis
13. Salvador
Crowley – Hocus Pocus
14. BrandNewBuddhas
– This Technology is Quite Remarkable
15. iiVLD
– The Orchids
16. Boreal
Taiga – Kobbefjord Greenland
17. Joel
Gausten – Spiral
18. we
be echo – Beautiful Lies
19. we
be echo – Decay of Sleep Bleed
20. Caleigh
Marshall – IYDMI (If You Don’t Mean It)
21. Masha
Kr – Flexor (ivanov down)
22. HERosion
DECAY – The Queers of the Underground
23. we
be echo – A New Day
It would be fair to say
that Genesis P-Orridge has been an enormous influence on many people, myself
included, from his days in Coum Transmissions, thence to Throbbing Gristle, and
right through to the many incarnations of Psychic TV and then on to his solo
and collaborative work. Genesis has, currently, some serious health issues to
deal with, and this compilation is one of a series released in order to do two
things: one, as a way for various artists and music-lovers to acknowledge their
gratitude to this legend, and two, even better, to give back in the form of all
proceeds going directly to Genesis to help defray medical costs incurred. Personally,
I can’t think of a better way to thank him for introducing me to the
underground scene way back in the late eighties, at a time when I felt that
‘mainstream’ music was becoming bland and samey, and that the concept of
innovation had been forgotten in the rush to make money. If I hadn’t
encountered Psychic TV I wouldn’t have known about Coil, Current 93, Nurse With
Wound, Test Dept., In the Nursery, Sol Invictus, Whitehouse, et al., and for that I will forever be
grateful.
(Please note: in the
interests of brevity and so that I don’t end up writing an epic of a review
(which it’ll probably end up being in spite of that, I will describe each
contribution here as briefly as possible. However, I do think it more than
worthwhile to purchase this item as it’s for a worthy cause.)
Needless to say there’s a
broad range of styles, ranging from techno to industrial, experimental to
ambient, a reflection of the trajectory of Genesis’ musical career over the
decades. Straight from the top we get the extremely danceable Skulldrum vs.
Captain Ergot’s ‘MK Ultra’, guaranteed to get those hips wiggling and feet
stomping. WHɅLT THISᴎEY’s contribution,
apart from giving Word a nervous breakdown when trying to find a suitable
backwards N, is a lilting piano-led ambient piece set against soft crackles and
noises. Meanwhile, Bukabog get out their tool set for ‘Maximum Swing’, whirring
in with what sounds like a drill that’s eventually supplanted by distorted
sounds and vocals. ‘Transatlactic Flight’ by Third Door from the Left is
another hip wiggler, this time leaning more towards the tribal end of the
percussive scale. Central Invisible Focus sounds like classic Throbbing
Gristle, improvised staccato guitar rhythm evolving into fuzzed up chordage and
a ringing riff overlain by vocals.
The first of Amalgamated
Wonders of the World’s entries, ‘Incredible Cellular String’, is a folky/psychedelic
jaunt reminiscent of early PTV (as well as the late ‘60s), all weird filters
and treated vocals. Between this and their second contribution comes Bjørn
Hatterud’s ‘Für Genesis’ (For Genesis): rumbling drones, low whistlings, and
swelling chords, a mountainous landscape scarred by erosion. AWotW flows in directly
afterwards with a wistful, ghostly, and (dare I say it) slightly creepy and
atmospheric piece, distant vocals matched only by equally distant weird noises
(including what sounds like a duck and nocturnal swamp insects!). German Autumn
brings us ‘Leningrad’ (now St. Petersburg, fact fans!), a laidback jazzy-type
number, the one that immediately conjures up visions of smoky nightclubs
replete with skimpily-clad dancers and a resident jazz band. SHOGGOTH AMENTA
enter from stage left with ‘No Self’, a shimmering keyboard figure supported by
a shuffling backbeat, and spoken vocals.
A distorted voice and
syncopated beat opens Wall Stretchers’ minimalist ‘Music*Light*Life’, its sparse
sequences and vocals lending it a quality of mystery and smokiness. Genesis
himself is the star of AUTOBONECO’s little oddity, ‘New Mixx 4 Genesis’, which
comes in at under 2 minutes. ‘Hocus Pocus’ from Salvador Crowley is ranting
vocals over a swirling electronic backdrop, while the next track,
BrandNewBuddhas’ ‘This Technology is Quite Remarkable’ is another techno
outing, jumping, burping, and bouncing under a prolonged dialogue from some old
science fiction film (complete with some good old clipped British accents).
iiVLD gives us some ambient in the form of ‘The Orchids’, some summery, light
chords set against a relaxing strolling beat. ‘Kobbefjord Greenland’ actually
exists, having a Fieldstation there for ecological monitoring work; no
surprises then when I mention that Boreal Taiga’s track is beautiful glacial
ambient, reminiscent of some of the material released by Glacial Movements
Records. It’s a slow-burn track, quiet and meditative, which slowly, glacially
(no pun intended) evolves over the course of its near ten minute running time. (My
personal favourite so far)
Now we get some
industrial clanging, machine repetitions, and spiralling noise, courtesy of
Joel Gausten’s ‘Spiral’. This IS industrial in all senses of the word: this is
mass production by machine, hypnotising, rhythmical, and dangerous. In complete
contrast we have ‘Beautiful Lies’ by we be echo (and the first of three from
them), guitar and drum driven indie pop/rock. They occupy the next slot as
well, their ‘Decay of Sleep Bleed’ a much sparser and more experimental affair
(with some ambient thrown in), soft percussion and noises that suggest 1950s
sci-fi films. Caleigh Marshall’s ‘IYDMI (If You Don’t Mean It)’ is a short
sharp growl of acidic bile.
Masha Kr’s ‘Flexor
(ivanov down)’ sounds like some early Soviet electronic experimentation, bleepy
high-pitched notes sweeping over a wavering undercurrent, soon joined by some
automaton-like percussion. HERosion DECAYS comes on like some eighties
electronic pop act from Hamburg or Berlin, sleazy Reeperbahnstrasse
atmospherics mixed in with futurist aesthetics. And finally, we be echo’s final
contribution, ‘A New Day’, a swooping wind, cold and hollow, the prelude to
some string-like drone chords that flutter and float with the prevailing
currents.
These are only brief tags
describing all the tracks here, and as such there are those which will appeal
mightily while others not so much. But that’s not the point: $15 for 23 tracks (works
out at around 65₵ per track) is good value
however you look at it AND you get to help out an underground legend (ALL the
money goes directly to Genesis). And this is only Volume 1 – currently there
are three listed altogether, and I’ll get around to reviewing the other two in
due course. It’s a wonderful cause, and it’ll be money well-spent.
All volumes currently
available from here via Bandcamp:
Psymon Marshall 2019.
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