Album: Ancestry Reworked EP
Artist:
Onasander (original)/Various (reworkings)
Label: Tipi Token
Catalogue no: TIPI005
Tracklist:
1. Orans
(reworked by Ajna)
2. Arcadius
(reworked by Klangbunn)
3. Trier
(reworked by Xerxes the Dark)
4. Milvian
Bridge (reworked by Hilyard)
This release (just like
one of my previous reviews did) reminded me forcefully just how easy I have it
today compared to how things were pre-internet when I ran a print ‘zine. This
was originally released in 2016 by Onasander (Maurizio Landini – and there’s
that Italian connection again [see my previous review]) and now comes this EP
of reworkings. If this had been sent to me back in the eighties I would have
had a mighty fine time attempting to track down the original in order to
compare the two treatments, and probably would have had to review the newer
release on its own merits. Thanks to the advent of the web, in particular the
SoundCloud website, I can now make the comparison and it took me less than a
couple of minutes to accomplish instead of weeks or even months.
The original
interpretations are lean, cold, and distant, as if heard through a thick fog
blanketing some ice-bound ghostly dream-region. The world is still, and any
movement is so infinitesimal that it may as well be non-existent. And, more to
the point, what hides behind those banks of obscuring fogs that swirl so
clingingly close around one’s body? Are those exhalations merely the wind, or
the breath of some species of creature not yet discovered by man? Are they
friendly or hostile?
Each of these reworkings retains
the spirit of the originals, taking aspects of the recordings and reshaping,
redefining, and recoding them. Ajna’s (Chris F) rearrangement of ‘Orans’ is, if
anything, even more isolationist ambient than Onasander’s, turning deeper and
deeper into the inner self as it calls out to us to contemplate the deeper
mysteries. Klangbunn’s (Marius Sortland Mykelbust) ‘Arcadius’ is a much more
ritualistic affair, stripping back the resonance of the original and sending
them into the background, then introducing rattles and whisperings into the
foreground as if to invoke praeternatural entities into existence.
‘Trier’, in Onasander’s
version, is a breathy cycle of inhalation and exhalation, like the breath of
the Cosmos. On the other hand, Tehran-based Xerxes the Dark (Mohamadreza
Govahi) scales it down the register immensely, metamorphosing it into a
malignant and brooding leviathan, visible black winds and streamers emanating
darkly from its gargantuan bulk. Onasander’s ‘Milvian Bridge’ begins with
running water and then slides into hanging, shimmering bell-like tones and
mid-range drones, sounding like some supernatural annunciation of victory. The
Milvian Bridge itself is a thing of mythic foundation, as this is where
Constantine the Great (who went on to found Constantinople and the Byzantine
Empire) fought and won a great battle after a vision of a cross in the sky, a
vision which was to have repercussions for the dominance of Christianity in
later centuries. Hilyard’s (Bryan Hilyard) offering is darker and glowering,
less about light and victory, and perhaps more about contemplating the heavy
cost of pursuing what one believes to be a just cause. Remember though that
this is just my interpretation and, having read a great deal about the
Byzantine Empire from its founding to its ultimate demise, Hilyard’s exegesis
resonates with that.
Ultimately though, I can
only say that both releases are
wonderful, showing that, if nothing else, reworking another artist’s primum materia can drastically change
the original’s atmosphere and dynamics, transmuting it not necessarily into
something better but different. The
four artists here have done just that – the original compositions remain
standing proud, while the reworkings stand alongside them with equal validity.
In this case, this has been an immensely fruitful exercise.
Ancestry
Reworked will be available from August 30th from the
following link:
https://tipitoken.bandcamp.com/album/ancestry-reworked
https://tipitoken.bandcamp.com/album/ancestry-reworked
Psymon Marshall 2019
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