Album: Civil War
Artist: Blood Rhythms
Label: NO PART OF IT
Catalogue no: None
Tracklist:
- Closure
- Sick Skin
- Locked Away
- Paris Window
- The Face
- Alchemy &
Grief (Parts I & II)
Yes, this is loud,
experimental in the extreme, avant-garde, noise ambient, industrial, angry,
anguished, atmospheric, violent, rhythmic, as well as right in your face and up
close, but a close listen will reveal that there’s a lot more going on than
meets the ear. Saying that it doesn’t really want to slot into any neat little
pigeonholes either, preferring instead to present itself on its own merits.
Blood Rhythms is led by veteran experimental musician Arvo Zylo (along with a
host of collaborators) and so, armed with all sorts weird and wonderful
materials, presents us with the results of this huge experiment/collaboration.
How to begin? ‘Closure’
is a big fat rasp, ripping and shimmering, a blast blaring out of some fogbound
landscape, ready to rip skin. A voice and feedback presage the arrival of some
demonic entity, scouring and scorching, denuding all before it. ‘Sick Skin’ is
pure flesh-ripping anguish, slabs of high-pitched squeaks and resonances
interspersed with microsilences, attacks that burrow deep into the brain and
turn it into mush. A heavily distorted voice intrudes, exuding malice and
anger, before evolving into a less wholesome rhetoric. Closing out side one
(see below) is ‘Locked Away’, beginning with a lean, spare slice of death
ambient (de)composed of crushing percussion and feedback, before morphing into
a vast behemoth of granular noise and acidic bitterness, a kaleidoscopic vortex
of bile and rancour.
Like I say, though, it’s
not all noise and tortured electronics, as is testified to by ‘Paris Window’ –
which begins with a mournful, and thoroughly Gallic, trumpet figure before a
metallic sheet of noise, akin to a constant crash of cymbals, fades in and
overwhelms like a tsunami. This is followed by ‘The Face’, a Suicide electronic
rhythm accompanied by some shouty vox, leading to a free-for-all blast of a
‘chorus’ which is in turn replaced by tribal industrial drumming and what
sounds like an industrial-capacity vacuum-cleaner. This track also smells of
Crash Worship to this reviewer, which is no bad thing I feel.
And then we’re back to
the nuclear radiation of blanket cellular implosion with ‘Alchemy & Grief
Part 1’, an earth-stripping concussion wave of concentrated malignancy.
‘Alchemy & Grief Part II’ is all industrial crunch and distortion,
garnished with wretched vocals and crashing metallic interjections.
When this was sent to me
I had no idea what I was letting myself in for – the description in the blurb
covers only part of what’s included here and, if you go to the Blood Rhythms
Bandcamp page for this release it doesn’t really enlighten you much further, as
it only has ‘The Face’ available to listen to at this moment. If I’d judged
solely from that (which no reviewer would do anyway) I’d have missed out on all
the textures and nuances that liberally spice this album. It all feels rather
in the moment too, a fortunate concatenation of multiple streams of ideas and
moods colliding and miraculously melding together into a seamless barrage. This
caught me by surprise – it’s an album that, while it grabs you by the scruff
and shakes you about, is also enterprising in that it doesn’t deny itself the
chance to veer away from strict noise parameters. Give it a spin – it feel
it’ll be worth a little exploration.
This will be released on
September 1st in vinyl, in two editions – Opaque Red (100 copies
only) and standard Black Vinyl (350 copies only). Order from here:
Psymon Marshall 2019.
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