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Saturday, 5 June 2021

Wolvestribe Interview.

 


Wolvestribe are a UK Power Electronics duo that have been actively releasing since 2018, they are London based consisting of KSHAYAATH and HTV. They have released on The Harsh Noise London label and produced Lathe Cut vinyls and CDs on their own AAARRRG! I have reviewed several releases on here and feel Wolvestribe is a leading light amongst an impressive cluster of new artists exploring Power Electronics in the UK. I was fortunate enough to interview the duo by email in 2021.

NK - Introduce yourselves, what were your backgrounds in noise, I know one of you does ANIMAL MACHINE and other projects, what led you both to combine as WOLVESTRIBE.

KSHAYAATH: Electronics/Mantras & Harry HTV Westwood: Electronics

KSHAYAATH: I like to keep my projects apart from each other, I like people to feel the music and visualize the idea.  Every project has its own mood. I only keep constructing on the way...new names appearing. Too many bastardized foetuses on the road.

I've been doing industrial music since 1997, I always had the idea of a band with industrial elements (industrial metal) too many tries and fails, difficult in finding the right people with AATMAA... So, I decided to go alone as solo a project ANIMAL MACHINE, it was basically experimental music after all (unclassified) with elements of Industrial music and gabber electronics (breakcore/speed core) that fusion became later noise.

In January 2017 I met LOU (PURE LAND) while doing noise gigs at Destroy All Artifacts. We decided to combine forces and name this new project WOLVESTRIBE. There is a live set released in recycled tape by Harsh Noise London. Louis left to join a sludge metal band.

In December 2018 I was hanging out with NEO FUNG, my crazy vampire friend from Holloway Road and I met Harry at the Headsquater Paradise.

HTV is a guy with a lot of passion for the old school analog /industrial Dada and punk. He was playing some filthy drones that evening, so we decided to fix a day to record some music.

There is a lot of chemistry between us, perhaps our brains have different directions but when we clash it's like being in the battlefield. Power electronics is more fun as a duo.

HTV: Hi and thanks for your interest in such a disposable and ephemeral phenomenon as WOLVESTRIBE.

We met as was described above: in my location, during the photo session. soon after we noticed that we just have similar ongoing interest in all sorts of subversive sounds. We are improvised formation, which allows loads of freedom. We are also very triggered by raw noise, which is not generated by PC, all sort of stark archaic machines are used in our sessions.

Your answer 'perhaps our brains have different directions but when we clash it's like being in the battlefield' is revealing as I find the sound of Wolvestribe to be combative, so this translates into the music fluidly? Do you ever discuss what you are both going to do, or does it happen?

KSHAYAATH: Not much to discuss, we try to compose a set, but it always ends on free fall.

Wolvestribe live. 

Tell me more about the themes of Wolvestribe, what are the motivations?

KSHAYAATH: WOLVESTRIBE is into ritualism, geo-politics & survivalism "Understanding the Ecological Role.”

We are aware of the mental conditioning. We keep coming back and forward to the old rituals, the old plagues, the crescent wars...  We sink and breath these paradigms of a thousand years and repeat it again and again.

Our motivation works like a mirror, the mind versus the environment, like painting thru necromancy envisioning our future... the decaying civilization.

HTV - Pretty much everything we are shaped by listed above bands and general culture from where we derive our inspirations. Films above books and music we listen to are the source of our inspiration. While WOLVESTRIBE is more visceral where vocal is more an instrument, driven thru raw noise, remaining honest and devoted to noise.

Therefore. we are out of sync, a raw chaotic outburst of unpredictability and if you listen to our “The Early Years “, you can sense that exactly.

How do you feel about the Earth, are you personally eco-friendly, what is your outlook in relation to how we treat the Earth? I ask as I am big on this in terms of recycling, reusing, using biodegradable, non-animal tested products, locally sourced as much as possible and veganism.

KSHAYAATH: I would say eco-aware...eco-friendly is the hypocrite way to brand yourself again. In fact, most of the people are not deeply preoccupated about the planet, people are concerned about their future in this planet. Mother nature can survive without us.

Respect is everything, we need to respect ourselves to start respecting each other’s and the planet. Recycling, reusing, using biodegradable, non-animal tested products, veganism is a form of respecting nature. I'm aware of my mistakes ...there are not saints these days... sometimes we have to go the way we don't want for the sake of survival.

You're from London, how does the massive, busy environment of the city affect your work? The reissue of your first recording on Harsh Noise London had a Tower Block on the cover, in my eyes this resonated Wolvestribe?

Kshayaath: London is one of the world's most amazing cities. This city has its own spirit, a living organism erected from alchemy, modern days of multi-cultural expansion and the bloody past. So, it gives us a best way for understanding the world we are living in.

Tower Block on the cover was idea of Mike Onabanjo Harsh Noise London president. He started that crazy series with glitch photography He collected from the city.

HTV: Yes, obviously this has got lots of to do from many sides.


Wolvestribe - Understanding the Ecological Role - Lathe Cut Vinyl - AAARRRG! 2019.

How many times have you played live as Wolvestribe? What has the live response to the project been like?

KSHAYAATH:: Sadly, we didn't have the opportunity to play much but people seem to like the music. We are happy we can express that way; we are not meant to be popular. It's mostly around friends... we also do not relate much to power electronics or noise scene, even if there is a furtive past.

There is too much politics and still too many taboos for free-doom, we prefer to walk dead, it sounds pretty autistic, but We feel it's the way to survive. But far off our introverted visions, we are always happy to meet new people and projects and build something together.

Yet difficult... we get fun making music, it's our hobby not a job.

HTV - Like you can sense it from this what is written, bent on very stark, archaic my fav world is amphibious sound which is a sheer outburst of unpredictability. Dada, punk art etc.

We are constantly evolving I guess our noise sounds dynamic as it is not killed by high tech innovations also that dissatisfaction derived after listening to many great acts which were previously devoted to noise and now playing music it is a big contribution to our desire as well as dissatisfaction from over performed rock music which is no more punk.



Tell me more about your phrase free-doom.

KSHAYAATH - free-doom as free fall, like start or end point. Now you can see it more easily, it's amplified around the world. As We come, we go.

You talked about sounding pretty autistic in regard to how close you keep and control Wolvestribe. Yet as a reviewer, you are part of a new now with PE a wider picture that people should be paying attention to and checking out. If people want to talk PE, like Unrest is, I am a huge advocate for now and point people your way.

Do any names of present-day PE stand out to you, do you feel you have any affinity out there with other projects or is it that centralised?

KSHAYAATH: I'm more into Old school 90's, Class 2000 Industrial stuff not necessarily Power Electronics. Some names like Brighter Death Now, Institut, Mental Destruction, Folkstorm, Karjalan Sissit, Shift ... In the U.K. I've had to dig S.T.A.B. Electronics, Messiah Complex.

Perhaps there is affinity, these projects are living their own movie.

HTV: At least from my side I want to be a laboratory and very amphibious in selections of sound. First recordings of THROBBING GRISTLE and WHITEHOUSE are big influence for me .so do CRASS and CONSUMER ELECTRONICS.

Your most recent release 'The Mind Responds to Its Environment Much Like a Body Turning Away' seems sharpened compared to the earlier material as if aiming to be more torturous and punishing, tell me more about this release and your intentions behind it.?

Kshayaath: There are not intentions, we just let it to the flow ...everything is instinctive, all recording have something special for us. We are focused on unique pieces. Most likely live improvisation and some studio releases. 'The Mind Responds to Its Environment Much Like a Body Turning Away' has a ritualistic display. It sounds more into noise; we got some nice takes from it.

Harry likes to use different machines and pedals for each recording and in this one he was a bit pissed off.

HTV: I don't know how it sounds, so far, we are meeting/jamming/recording after KSHAYAATH is doing the rest.

I'm often positively surprised by the outcome. I just do noise; I don't have much control on whole aesthetic neither. Desiring it totally.

Your recent work also seems to use noise to effectively create 'other' atmospheres as if you are channelling the environment or the earth through your work? When the noise isn't roaring or blasting what are your intentions? I ask this as you have slowly evolved as being able to use quieter noise to strong effect.

Kshayaath: The planet is a living organism, and we are just part of it... sure our mind, body and soul is being soaked in a vagina. The spirit of Earth. We are some kind of fucking microbes... viruses killing and loving each other in a cycle of death and rebirth...

I would say after the storm comes tranquillity or vice versa... It's what we have on the plate, days and nights...So there is evidence of that in our music. Music doesn't need to be necessarily noise or going extremely loud to fulfil a cause. Music is just another way of communication. The energy (vibration) is around us, so we are only casualties. We joint waves and leave the sea to tell the story.

HTV: I would like WOLVESTRIBE to be more cohesive formation in terms of message and aesthetic we convey. We will use noise as weapon more effectively in the future but like you can sense it from this what was said we just Jam and recently we do this very rarely, sadly.

https://www.facebook.com/Wolvestribe/ 

https://aaarrrg.bandcamp.com/ 


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