Ordeal by Roses – City of Forms – MC/CD – Outsider Art 2020.
https://outsiderart.bigcartel.com/
https://ordxxlbxrxsxs.bandcamp.com/
https://outsiderart.bandcamp.com/
Sometimes work comes along
that destroys all you knew before as it wires itself to your nervous system, it’s
a rare occurrence, but you always know when it has happened. That is my
relationship to Ordeal by Roses and after two great tape releases, I nervously
approach the debut album - the stakes are high.
As spoken dialogue opens the
album and leads us into City of Forms 1- Hostile Architecture I feel as if I am
somewhere in between a dream and a soundtrack. Melodic synths and distorted
electronics play off each other radiating an intense, hostile beauty. The
vocals kick off somewhere within the psychological architecture of sound. Hurt
Hostility rises to the forefront as City of Forms 2- Time as a Suture explodes
briefly – short, sharp facts expressed through rage and walls of distortion. New
ideas in new forms as beats, drones and an intermittent vocal form a circle to
make a ritual of pain that is The Mask of a Child.
The spoken dialogue returns as
The Wheel Refuses to Spin (To the Least of my Brothers) and switches to traumatised
shouting whilst the drones play out. This combines instrumentation and noise to
an impressive degree with both taking the lead at the right time, this happens
a lot throughout the album. Knights of Swords (reversed) switches to a direct assault
as noises play off each other building a huge blast as it slowly melds together.
The vocal gets in on the action and goes off massively, the noise seems to
follow this lead. This is a lengthy, sonic tantrum as everything becomes one to
express something.
The last City of Forms 3 – Irreconcilable
Distance pulls the beauty back into the sound as melodic electronics and
distortion work together whilst the vocal gives out one last surge of dialogue.
The anger and beauty combine to bring City of Forms to an end
The abstract artwork on the
cover compliments and works like the music as it radiates a life. There is darkness
and light within the vague forms, what they are or if they are there at all is
hard to tell. The artwork and sounds being one happens a lot on Ordeal by Roses
releases.
The contrast of light and dark
within City of Forms is vast, the synths in the work have a soundtrack like vastness
whilst the vocals - noisy and spoken are impressive. On Monday someone will as
what I did this weekend, and I will tell them that I experienced the reality of
an existence and it was perfect.
ZG 2020.
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