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Thursday 26 October 2017

Premature Ejaculation and Heltir; a history.


With Malaise Music releasing all of the long lost Premature Ejaculation material, a lot of long lost tapes came out. Sadly Malaise folded a few years back. The series was well worth supporting, I do feel sad at the loss of what could have been, but then thrilled at what was achieved. Ben, Larry, Anton, John and Alex did a good job. Malaise's main label Cathedral did some great new and archive releases. Due to the Rozz themed name of the Blog (this was Rozz's last address), I will use it as a platform to do and repost in depth reviews of Rozz's Premature Ejaculation material and do others. Mostly the blog allows me to review new noise works and related music that I find interesting. 

Premature Ejaculation has been defunct since Rozz William's death and was one his most prolific projects, a lot of this material was just released on CD, vinyl and small tape runs. Here is my near decade old article on Premature Ejaculation, which was researched and written before the series came out. 

At many times, I wanted to expand the series based on what I had later reviewed, but things kept indicating that this was as far as I was going to get. I managed to get a wealth of info off Ryan Wildstar, Gene Evans, Lee Wildes and began to interview Paris Sadonis which was all exciting. RIP to Lee Wildes who was lovely and very exciting to talk to, he was very generous with information. Ryan Wildstar's bandcamp is well worth checking out too; https://ryanwildstar.bandcamp.com. 

I'll never be able to expand on the article, the info was lost with computer crashes.  But to honour Rozz and Lee, further Post-Release Premature Ejaculation the reviews will appear on North Fuller Avenue. Respect also goes out to Chuck Collison - https://m.soundcloud.com/chuck-collison

Smoke Mountain.



Smoke Mountain – Smoke Mountain. Self Released. https://smokemountaindoom.bandcamp.com/releases - Bandcamp. 2017 cd/tape/mp3 Cassette version on Hellas Records - http://store-hellasrecords.8merch.com/





Personnel.
Brian Pitt.
Lee Pitt.
Sarah Pitt.

Track listing.
1.    Demon.
2.    Violent Night.
3.    Smoke Mountain.


The Florida enigma cult that is Switchblade Cheetah has spawned another project; a new Doom band called Smoke Mountain and this is their first ep. Upon listening, Smoke Mountain has an immediately otherworldly quality led by Sarah Pitt’s vocal; which is at once possessed and androgynous within the frame of a timeless, powerful, guitar/drum based sound.

What I like straight away is the early Earth like quality to the guitar sound coupled with a seductive bleakness that resonates throughout. The guitar demonstrates precise repetition to the point where any change in chord structure or pace has massive impact. This also allows for effective, lengthy instrumental passages to occur between verses.The minimal set up of drums, guitar and vocals creates space where the bleakness shifts suddenly into large expanses of sound. This causes exciting dynamics across Smoke Mountain's three tracks. 

Smoke Mountain at times demonstrate a stripped down quality similar to that of Black Flag in their My War/Slip it In era. The band seems to simultaneously exist across several decades. I believe that this pushes the recording into a forward thinking territory that has real potential to grow into something amazing. I wonder what is to come from Smoke Mountain? Looking forward to it.

Premature Ejaculation - Dead Whorse Riddles.



Premature Ejaculation – Dead Whorse Riddles – Malaise Music –  Cat No: Mal9 (2cdr)



Dead Whorse Riddles is a compilation of Premature Ejaculation material originally intended for release through the first Malaise Music label run my Erik Christides. Sadly it was never released.  The music has been remastered by Benjamin Siebert and Artwork by Scottie. This is the ninth cdr of the series containing tracks previously released on the Anaesthesia and Descent as well as 4 previously unreleased tracks. 

The Nature of Pain opens the album rumbling and shuffling menacingly. Pitches of feedback enter and build to almost vocal symphonics; it’s quite a unique instrumental for PE as music box noise also really adds that early 20th century avant-garde quality to the Nature of the track. A vocal dialogue brings things to an end.  Chuck Collison’s involvement is evident here because as I’ve mentioned he was pivotal to the cleaning up and sharpening of the Premature Ejaculation sound, I can never understate his importance enough.

Partial and Complete echoes with electronic low level power noises and loop rhythms. Inaudible vocal samples enter and then leave periodically while noises are injected and rejected. Red now a Premature Ejaculation classic pulsates through while dialogue accompanies it and rockets off into inaudible hyperspace where the vocal becomes a roar.  The pulsations loose their rhythm and noises break into the track.  Red in an updated manner tidily tortures the listener like the PE of early years. Atrophy layers more sampled dialogue over pulsations far more politely than Red; backed by keyboard drones rising in intensity with the sampled dialogue. Fistula in Ano combines an aggressive loop rhythm pulsating violently to further dialogue with interruptions of alarming noise and everything finally slowing down into a collapse. Untitled revels in inaudible vocal ambience that sounds as if it is being played in the wrong direction, sounds are overlaid to confuse and disorientate the listener. Night sounds as if from a field recording take over shifting the track into an entirely different context. Taking Good Care of Your Fear beats things back to Fistula methods and sounding like a timed, repeated, crash shooting. A guitar riff underlies the track, bringing instrumentation subtly back into the PE mix. The Most Astounding Living Monstrosity is like a violent and distorted cousin of Kraftwerk’s autobahn and Transillumination is a nauseous, spiralling dream assault that shoots out bursts of Heltir static.

Disc two is punctuated by three excerpts from the previous Malaise disc Descent and one Anesthesia track Salvation, Deliverance, Prayer for the sick which is very electronic in comparison compared to the Descent excerpts and builds up an intense nauseous density of drones, vocal samples and frequent differing noises. An Untitled passage begins with church organ like keyboard drones (not too unlike the later work of Paris Sadonis) builds to a symphony of frequencies that simultaneously harmonise well and work against each other to peak to a heady delirium.  Further Descents slow things down keeping the ambient darkness at a low simmering point and in its’ second excerpt allows things to rise. The first of the final two nine and a half minute Untitled passages bring instrumentation and field recording together backed by pulsating drones. What sounds like string instruments within bring an added dimension previously unseen in PE, it’s not as abstracted as previous strings in their discography just very considered and beautiful, but never again expanded on. This simultaneously ties together all the methods used in the different tracks on the album and treads newer territory.  The second passage of Untitled feels more electronic, tortured and groaning very similar to the work of the Anesthesia tracks presented within.

Dead Whorse Riddles serves as a good compilation of selected aspects of the mature sound of Premature Ejaculation. It highlights a more complex range of atmospheres and techniques. It throws up a lot of surprises and is a celebration of Premature Ejaculation in full stride at the height of their powers, a height that would continue to Rise right up until the finale Wound of Exit.


Choppy Noodles 2011.

Premature Ejaculation - Attempts at 7.



Premature Ejaculation – Attempts At 7.  Recorded – Unknown. Previously Unreleased. Malaise Music – 2011 – Mal 8.



Attempts at 7 appears to date around the same time as 6, 1984 -86. The Turkish torture device used in the original artwork indicates immediately where 7 may take us, or threatens to take us. This I assume is a Rozz working alone as Premature Ejaculation; the sound is not as expansive through the detailed studio attention PE received when Chuck Collison was involved. Yet it is important as a PE release for several reasons.

The album opens with the last few seconds of some instrumental sounds that break into blasts of chicken noise before a conversation takes over. The conversation recording is also typical of the technique used in 6. However this is broken by further 6 reference of a militaristic, groaning, strained loop to a beat that is caught within the cycle for a good period of time.  This stops and then restarts to move on to recorded grinding sounds are put through a tunnel effect and turned into noise. This is a development on the techniques used on the album Rise and its Hoover blasts.

A nightmarish carousel loop begins; this is where there is the biggest development in PEs overall sound. It’s not just the combinations of noise that are effective throughout, but the move from this being just a soundscape with moments of clarity to a simple yet consistently effective ambient nightmare. This is PE’s experimentation really beginning to work form into effective Dark Ambient territory that they would later become leaders of. Noises then seem to be played backwards with random blasts of grinding noises over the top; the effect provides a successful dark atmosphere that is consuming and sporadically violent.  The use of loop and sample is far more effective on Attempts at 7 overall.

Attempts at 7 effectively uses bursts of everyday sound to function as effective noise or atmospheres upon which to use other sounds. There is humour through the variations in how far Rozz chose to remove the samples from their sources. Sometimes there is no doubt he was recording a creaky hinge or a power tool. At other times he has great success in removing the sound from its source and totally recontextualising it. This does follow on from 6, but is far less aggressive, 7 steps back to offer a journey though an elaborate ominous darkness.


ZeeGee 2011